Of course, we took every safety precaution - we installed a fuse in the side of the box. Of course, when I opened the fuse holder, what did I find? A rolled up wad of foil in the shape of a fuse. Great. Of course this brings back great memories of college, throwing parties, concerts, etc. Holding the ladder for others to hang the Aggressor, and some of our early events.
Our second Karaoke contest was probably my favorite, despite Storm's 45 minute solo ear blasting concert at the beginning. This was before we had the big pocketbooks that allowed us to assemble the switch box I had just disassembled. I was set up backstage, with a large round table to which I had duct taped about 25 surge protectors. Running lights consisted of me switching these surge protectors on and off in time to the music. I really wish I could watch a video of me backstage, because during the second half, I really gained a 5th sense of which light was which switch, and I was throwing switches like a crazy man.
My mastery of this archaic but impressive lighting system culminated in the final performance of the night. It was not infact a karaoke performance, but was a group of 5 guys who wanted to lip sync and dance to "I Want you Back" by N Sync.
They moved through the first part of the song, it was going fairly well. All the girls in the crowd had gravitated to the front. The first chorus was coming up. (click here if you don't remember the song)
I was ready.
As soon as I began to hear "You're all I ever wanted" I cut all the lights (which consisted of laying on top of the table to hit about 8 surge protectors at once. I had previously taken the fog machine control box in my hand. I simultaneously hit the fog machine and reached out and turned on the aggressor.
Now my friend who normally hangs the aggressor on the ceiling (a near impossible task given the string and duct tape we gave him with which to do the job) was particalarly happy this evening, because I had opted in my lighting setup to instead place the aggressor on the back center of the stage, facing the crowd from behind the performers. This proved to be a most fortuitous decision, both to cement my relationship with my friend, and for this one upcoming moment, which I believe defined my short career running concert lighting.
So, hopefully you now have your eyes closed, imagining the stage being plunged into darkness, rolls of fog billowing around the performers feet, and 32 beams of colored light shooting out over their shoulders with perfect timing. The performers all looked at each other as if to say, "What the heck?" The crowd went nuts. It almost felt like N Sync was on stage. I had found my calling.
Well, that was a trip and a half down memory lane. And it all came courtesy of a jumbled mess of wires.
Here's a random picture of my daughter.
